segunda-feira, 28 de novembro de 2011

Consciousness Reframed!

The Planetary Collegium’s 12th Annual international Research Conference, Consciousness Reframed: art and consciousness in the post-biological era.







PRESENCE IN THE MINDFIELD:
Art, Identity and the Technology of Transformation.
The conference will look at art as behaviour of mind, embedded in the physical world, but articulating its immateriality. Just as institutionalized art, with its tired orthodoxies of instruction, production and distribution, is challenged by the new technologies of knowing and perception, so our sense of self - its singularity and authenticity - is open to reconstruction and reinterpretation. In his assault on identity and authorship, the great Portuguese poet Fernando Pessoa created over 70 heteronyms. “His jostling aliases,” as John Gray has put it, “expressing his belief that the individual subject - the core of European thought - is an illusion.” This exploration of the plurality of self finds is contemporary expression in the proliferation of personas and avatars through which we navigate the actual and virtual universes of our making. Transdisciplinary discourse, the adoption of new technologies, the invisible forces and fields of the sciences, the recuperation of abandoned metaphysical and spiritual models of being, can all find expression within the context of this conference.
Roy Ascott



Day 3 - December 2nd

Room Sophia de Mello Breyner

11.00Stephan SchwartzNONLOCALITY AND EXCEPTIONAL EXPERIENCES: A STUDY OF GENIUS, RELIGIOUS EPIPHANY, AND THE PSYCHIC
12.00Kathrine AnkerConsciousness, Life And The Potential Of An Endobiological Evolution
12.30Luis Miguel Girao 
13.00Dave EverittIs Creativity A 'Natural' Process?
LUNCH
15.00Leonel MouraRobotic Art: A New Kind Of Abstraction
15.30Marta De MenezesArt Practice And Art Research, An Experimental Aproach
16.00Mike PhillipsHuman Geography
16.30Claudia GalhósConsciousness Reframed 12 Report
17.00Roy Ascott 

quinta-feira, 15 de setembro de 2011

European Public Art Centre - Ectopia and Marta de Menezes are curating António Caramelo's Work at Palacio Galveias' Garden.








http://www.epacpublic.eu/

European Public Art Centre – EPAC is programme which consists of eight multipurpose outdoor exhibition spaces established in eight participating countries (Latvia, Estonia, Finland, Portugal, Spain, Poland, United Kingdom and Iceland), first exhibition in the centre – Public Technologies simultaneously taking place in all countries involved and focussing on collaboration between art and science, workshops Art/Science/Technologies, roundtable discussion Art Technologies, seminar Public Technologies and launch of network CAST (Contemporary Art, Science and Technologies).
The primary aim of programme European Public Art Centre – EPAC is to found the first public art centre in Europe that exists and have permanent physical exhibition spaces in most European countries, to foster interdisciplinary contemporary culture and particularly collaboration between art and science, to create experimental visual art projects in public space that seek innovative solutions for breaking down elitism in artistic and cultural space through openness and accessibility, to involve passive segments of society in cultural processes and the integration of Europe's cultures.

António Caramelo (1969)

Master degree on digital art's at MECAD (Media Centre of Art and Design), Barcelona, 2005/2006
Teaches at the University of Évora, Portugal, in particular Media Arts classes in the Department of Visual Arts, since 2001.
As Visual Artist he has collaborated on several projects in different areas such as Sound, Dance and Theatre, working with real-time audiovisual systems.
Participates in several art exhibitions since 1997, mostly in Portugal, but also in Spain, Scotland, USA, Germany, Norway and Finland.
Lives in Portugal.

Marta is going to FieldNotes organized by "the finnish bioart society"

 

@Kilpisjärvi Biological Station

FIELD_NOTES – Cultivating Ground

Kilpisjärvi Biological Station in Kilpisjärvi/ Lapland/ Finland.
26. September – 2. October 2011
Organized by the Finnish Bioart Society in the context of the Ars Bioarctica project together with the Kilpisjärvi Biological Station.
“ Field_Notes – Cultivating Grounds” is a week long field laboratory for theory and practice on art&science work. It is organized by the Finnish Society of Bioart and takes place at the Kilpisjärvi Biological Station of the University of Helsinki in Lapland. Five expert working groups will develop, test and evaluate specific artistic approaches based on the interplay of art&science.

contact: erich.berger (at) bioartsociety.fi


My Group is:

Body Nature

Body/ Nature relationship
- hosted by Marta de Menezes with Dave Lawrence, Niki Passath, Melissa Murphy, Tiina Vainio
- in the sub-Arctic nature, in the lab and in the study
The Body/Nature connection refers to nature as a body, something akin to an organism, but also to the body, our body as a sensor, part of nature and immersed in it: an interface with the rest of nature connecting us, linking us and transforming our relation to it. This relation, this communication is part of what defines us as humans, as animals and as natural. This group will try to explore the possibilities of manipulating life, nature and our own nature to express awareness and concepts close to the idea of nature’s identity and our own in present times.

sexta-feira, 29 de julho de 2011

Marta is having lots of fun with all her new best friends at Bio Artcamp in Banff


BioARTCAMP goes Live!

BioARTCAMP is a hybrid workshop/symposium/performance event where artists, scientists, theorists, filmmakers and students will work together to build a portable laboratory in Banff National Park. Participants will contribute to the general construction of an art/science field research station at Castel Mountain, an off site and outdoors location. A variety of collaborative art actions and projects will be conducted in the outdoor laboratory. Senior Artists will present bioartworks within a camping/laboratory context at a public art/science fair event hosted live at the Castle Mountain location. The two-week residency will conclude at The Banff Centre with a symposium and panel discussion including all participants.

BioARTCAMP is hosted by Dr. Jennifer Willet from INCUBATOR Lab at The University of Windsor, Canada.

BioARTCAMP information and is available at:

The Banff Centre

Incubator Lab, The University of Windsor

And here on the BioARTCAMP Blog!

A special thanks to our sponsors:

terça-feira, 19 de abril de 2011

New grain for "In the beginning there was the Word"

 










At Parco Arte Vivente, in the exhibition "Body Nature", with Dario Neira and curated by Claudio Cravero  (see previous messages for information on the exhibition), the work "In the beginning there was the Word" has grown enough to have new seeds!
This is very relevant for the idea of the work itself, about growing and life, but also because this is the first time this has happened since it was first set up in Faulconer Gallery, Grinnell College, Iowa. The work was frist conceived for the exhibition there called "Where are you from" where 21 portuguese artists showed some of the best portuguese contemporary art, curated by Lesley Wright.

http://www.parcoartevivente.it/pav/index.php?lingua_sito=2
http://www.grinnell.edu/faulconergallery

sexta-feira, 8 de abril de 2011

Principia Exhibition - Milano Design Week 2011













Milano Design Week 2011


On the occasion of the fiftieth anniversary of the Salone del Mobile in Milan comes “Principia. Stanze e sostanze delle arti prossime”, an exhibition conceived and curated by Denis Santachiara in collaboration with the ‘Solares Fondazione delle Arti’.
A ‘molecular’ pavilion, divided into 8 rooms, will be created in Piazza Duomo, each room will express a ‘principium’ originated in science, like an engine to create sound, visual, architectural and industrial art works. In the 8 rooms, young and important artists and scientists will put on display some works of art which utilize a ‘principium’ which essentially brings us to the latest and most advanced technologies.

 

Some of the names are: Marina Abramovic, Ludovico Einaudi, Marta de Menezes, Luca Pozzi, Karin Sander, Pablo Valbuena.

sexta-feira, 25 de março de 2011

Article by Alan Shapiro about the exhibition in Torino "Body Nature" at PAV


In the Beginning there was the Word


Alan N. Shapiro, Technologist and Futurist

Blog and text archive about Star Trek, Jean Baudrillard, Albert Camus, humanities informatics, future design, the radical illusion beyond art, American Studies, robots and androids, embodied Virtual Reality, media theory, gambling, and baseball

Of Art, Biotech and the Body in the World, by Claudio Cravero

quarta-feira, 16 de março de 2011

Art Research article for NADA

I've written an article about my views on art research and published it on a portuguese magazine called NADA and now feel the need to make it available online in the english version. Please be aware that it is an opinion article and not an academic one. Here it is:



NADA magazine 15, 2010.
English version of the text "Art Research", by Marta de Menezes.
  

segunda-feira, 14 de fevereiro de 2011

Image in Science and Art



We live today under the empire of image. After oral and written words, it seems that image acquires an unprecedented relevance. It dramatically determines our life, both our way of seeing the world and the way of performing our individual and collective existence. Is this a well grounded appreciation? What is the new status of image, if any? And, specifically, in Science and Art?

http://ica.fc.ul.pt/coloquio_en.html

corpoIMAGEM

Representações do Corpo na Ciência e na ArtePavilhão do Conhecimento - Ciência Viva
Terça a sexta, das 10h00 às 18h00
Fim-de-semana e feriados, das 11h00 às 19h00


Inauguração

Sábado, 12 de Fevereiro, 17h00



Esta é uma exposição sobre imagens do corpo. Nela podem ver-se representações científicas e artísticas do corpo desde o século XIX até à actualidade. Por exemplo, corpos nus desenhados na simplicidade e naturalidade da sua superfície por Columbano ou Soares dos Reis, corpos complexos e fragmentados que Amadeo de Souza-Cardoso ou Sérgio Pombo nos dão a ver. Do lado da ciência, esqueletos do homem e da mulher tal como eram representados nos tratados anatómicos do século XIX, ou proteínas que hoje a ciência assegura constituírem esse outro “esqueleto” das células humanas que é o citosqueleto.

Esta exposição organiza-se em três momentos fundamentais que acompanham as transformações técnicas e tecnológicas mais decisivas e o seu impacto na produção de imagens do corpo, pela ciência e pelas artes plásticas. O primeiro momento é marcado pelo desenho; o segundo, pela fotografia e raio X; o terceiro, pela digitalização. No primeiro, o anatomista, mas também o artista, têm unicamente ao seu dispor esse virtuoso instrumento de observação, descrição e representação que é o carvão ou o lápis. No segundo, a câmara fotográfica e o aparelho de raio X captam imagens de natureza analógica que vão ter um efeito incalculável sobre o conhecimento médico e sobre a representação pictórica do corpo. No terceiro momento, a imagem do corpo não é captada mas produzida, originada computacionalmente a partir de dados numéricos que as diversas tecnologias recolhem. Cientistas e artistas saberão retirar destas transformações as devidas consequências.

terça-feira, 1 de fevereiro de 2011

Body Nature

BODY NATURE

February 5th – April 24th 2011

MARTA DE MENEZES/DARIO NEIRA
curated by Claudio Cravero


http://www.parcoartevivente.it/pav/index.php?lingua_sito=2

The exhibition intends to compare the research of the Portuguese artist Marta De Menezes (her first presence in Italy) and Turin based Dario Neira. In the two personal show their works are made out of biological materials (DNA, proteins, cells) used as a new media art and they seem to respond to the latest research and biotech opportunities. In spite of De Menezes and Neira’s practices are very often included in the Bio-art sphere, they works are at the same time witnesses of personal views and creative poetics that explore the body nature, physically and socially.
De Menezes will guide the public a two-day workshop to discover the field of the uncanny body biotic matter.

quarta-feira, 26 de janeiro de 2011

Marta de Menezes will participate in the Visceral Symposium



VISCERAL: THE LIVING ART EXPERIMENT
A SymbioticA Exhibition at Science Gallery, Dublin
28 JANUARY - 25 FEBRUARY 2011

The exhibition will explore and provoke questions about scientific truths, what constitutes living and the ethical and artistic implications of life manipulation. It will include 15 artworks from ten years of SymbioticA's residency programme, featuring the following artists:
...
Abhishek Hazra, Alicia King, Andre Brodyk, Boo Chapple, Tissue Culture and Art Project (Oron Catts & Ionat Zurr), Kathy High, Lisa Goldberg, Nigel Helyer, Paul Thomas, Paul Vanouse, Perdita Phillips, Neurotica (Philip Gamblen, Guy Ben-Ary, Peter Gee, Riley Zeller-Townson and in collaboration with the Steve Potter Lab, Georgia Tech, Atlanta), Svenja Kratz, Tagny Duff, Biokino (Tanya Visosevic & Guy Ben-Ary)

29 January 2011 – Symposium
30 January 2011 – Artists Talks
Location:
Science Gallery, Trinity College Dublin, Pearse Street, Dublin 2
Open: Tuesday-Friday 12:00-20:00, Saturday-Sunday 12:00-18:00.
For More Information: http://www.sciencegallery.com/visceral

Marta de Menezes works in Antwerp






Apoptosis is the process of programmed cell death that may occur in multicellular organisms. Biochemical events lead to characteristic cell changes (morphology) and death. These changes include blebbing, loss of cell membrane asymmetry and attachment, cell shrinkage, nuclear fragmentation, chromatin condensation, and chromosomal DNA fragmentation. In contrast to necrosis, which is a form of traumatic cell death that results from acute cellular injury, apoptosis, in general, confers advantages during an organism's life cycle.

http://www.verbekegallery.com/


Opening 14.01.2011, 19.00
Art Orienté objet (FR), Brandon Ballengée (US), Mateusz Herczka (SE), Marta de Menezes (PT), Jef Faes (BE), Andy Gracie (UK), Eduardo Kac (US), Egied Simons (NL), STARTEL (NL), Martin uit den Bogaard (NL), Koen Vanmechelen (BE), Adam Zaretsky (US)


Address
Leopold de Waelstraat 37
2000 Antwerp
Belgium